@mattblaze@federate.social @MatthewChat@mstdn.social A lot of it is the artistic choices we make. Apart from my bird photography, which is usually (though not always) in color because of the subjects, I generally opt for B&W under one of two circumstances: when the subject matter, due to lighting, is mostly monochrome, in which case the stray bits of color can be a distraction, or when I'm trying for a silhouette effect. Here's an example of the former situation: the focus of the picture is the lines of the train shed; the colored buildings in the foreground of the first picture detract from that. The latter can be see in the first two photos at
https://urbanists.social/@urbandinosaurs/115652346037511286 I never tried printing color negatives on B&W paper, back in medieval times when I was doing my own darkroom work, but if I wanted high contrast (and I mostly shot B&W, often Tri-X) I'd select a high-contrast paper to print on. That is, I could use the same negative but get very different effects when printing, even with all other parameters held constant.
Digital photos offer a much wider range of choices, both when taking the picture and in how you do post-processing. In other words, it's generally not the technology (my gear, though not as high-end as Matt's, is still pretty fancy, because you generally can't get good bird photos with your phone), as opposed to the choices you make when processing it. (I know an excellent photographer who was happy to share his raw images but jealously guarded his final pictures—to him, most of the labor and creativity was in the post-processing. For that matter, I once showed a photo I took of an owl half-hidden behind a tree trunk with a chipmunk in its talons which awed my instructor—he told me I should spend hours post-processing it. I didn't—I don't have the skills, at least not yet—but it illustrates my point: it's the artistic choices (and the skill to make them scene) that matter far more than the equipment. My profile banner picture (unfortunately cropped to meet the aspect ratio requirements) is one of my all-time favorites, of Manhattan skyscrapers reflected in the Central Park Lake and framed (not shown here) by autumn leaves, and I took it with an iPhone 11, hardly a high-end device.)